I feel like the oldest man in the thread with about 100gigs of self-ripped music to which I still own the CD’s… Also with the signature look of superiority, of course.
deleted by creator
I have that same CD player. Like having my own streaming server. LOL
I don’t use Spotify. It feels kind of soulless.
Bandcamp was the best, I think. They’re still around, but their future is uncertain after being bought and sold. They have human written posts about like “the best doom in Texas” or “what’s new in punk”.
Whenever I talk to people that say they like music, and I suggest they buy albums instead of renting them from Spotify, they look at me like I’m crazy. They’d rather sell their soul for a little convenience. (And these aren’t poor people or teenagers with no money. I worked in tech and all my peers were six figure salary. They can afford to buy three albums a month for $18. Which frankly isn’t much more than a subscription, but then you get to keep something and eventually have a huge library)
the artist’s website (or actual indy label), bandcamp then piracy in that order for me. if i can pay the artist, i’ll pay the artist. then it goes on my jellyfin server. bandcamp and the brooklynvegan have had some great lists. my kid has recently discovered music is more than background noise in video games and thinks vinyl is cool though. he’s hooked hard on rise aginst so i’ve had to add the local record shop then ebay into the mix. my bank account isnt happy and i will likely buy badtimerecords entire vinyl catalog for myself now. dont let your kids get into vinyl folks its a fucking trap!
Adding to your list I still buy CDs and rip them too, although rarely nowadays. The independent music shop I went to as a teenager still exists (Schoolkids Records), although in a different location and they’re down to only 1 store.
Songza, followed by its post-purchase rebirth as Google’s Play Music, was the pinnacle. We need to bring back professionally human curated playlists.
Qobuz has professionally curated playlists, often from actual artists or experts on that genre. It’s also French rather than American, and they often the highest payer to the artists.
Plus the audio quality is sooooo much better than other services and they pay the artists 3 times more than all the other services.
They have 99.9% of Spotify’s library. So transferring your playlist over is super easy.
Oooh, that looks good. I’ll try them out.
I’m just going to follow Four Tet and wherever he posts his playlist, whatever the hell it’s called.
They still exist in the piracy world…
soulseek is the new napster
sail away
It’s only newer than napster by like 2 years. Napster started in 1999 and Soulseek in 2001. I wish I’d known about Soulseek back when I was fucking around with Kazaa and Limewire and shit after Napster died.
If this is a topic folks are interested in, I’d highly recommend Liz Pelly’s new book Mood Machine. She did a lot of research in this area and really lays out how Spotify is destroying discovery and music community in the name of profits. Honestly it’s horrifying, way worse than most people would assume.
An excerpt was published in Harper’s too.
She also did an interview with Anthony Fantano, but I haven’t watched it.
I use Spotify to conveniently stream an album to decide whether or not to download it into my ipod. Imo offline devices are, were and will keep being the best option (while on an airplane, on a road trip with no signal) and I get the feeling to own my music and to know the context of the artist I am listening to.
Well, one thing I can say about YouTube Music is I’ve never heard any nameless Lo-Fi beat tracks. Every artist it’s ever played for me is real.
Imo music discovery on Spotify is best done by pursuing playlists posted by musicians you like or just hopping by related artists/album features.
The article hits the nail on the head when they say to listen to human curated content - whether it be curated by yourself or someone else, it’s the best way to find something new/good.
The only good thing about Spotify is that you can control the algorhythm with a bit of work instead of the other way around.
I’m feeding off the weekly recommendations that are filled with the 6-8 genres I like. I don’t get any mainstream garbage in my recommendations, and am finding New Songs every week.
I bet those articles come from the 3 big Labels
For me the recommendations have been circling the drain for a while. It’s just the same songs over and over again, and it seems to have decided that I only like ambient electronic music and indie pop, both of which I actually find quite boring. No matter what I do, and no matter how much I like songs in other genres, that’s what it serves me, along with the occasional '80s hit because it has figured out I’m old. It was good for a few years but then seemed to get stuck in a rut.
I’ve been very cautious over all the years that ive been using it. My rule is to only like what I wouldn’t mind listening daily to, and do playlists for all the other stuff that I don’t want to get bombarded with.
It has worked out for me.
More or less same, or random bands with the same name, I mostly use bandcamp for discovery these days, for now it’s still great being able to follow small labels, bands and user tags.
I used to like some of the old bittorrent clients seeing what other users were seeding. You would see someone with a lot of known killer music and something you had never heard of. It was a great way of finding new music.
I think algorithms overall are affecting music and how it reaches people. The rise of songs as background music for things they have nothing to do with is becoming blatant. “Messy” came out of know where and suddenly everyone knew about it and it was in tons of videos. I had never heard of that woman before (which could be for a number of reasons) but suddenly, boom, it’s everywhere. Now it’s “Anxiety.” I used to (naively) think that people were just naturally coming across music and things were just popular. But without the charade of people “calling” in to request a song, the act of discovering music feels very soulless. It’s like, “here, please choose your new favorite song from these preselected songs.”
Switched to deezer some years ago. I tested all music streaming services beforehand and found that Deezer an Applemusic have the most relevant music recommendations for me.
Both deezer and apple have all the spotify features my family wants plus lossless audio if youre into that kind of thing (like me). Since distribution is handled by tunecore etc the catalog is the same anyway. Decided on deezer because I use android. Also a neat little backdoor in their servers Ü.
just stop listening to automated playlists
This is why i only listen to music recomedations by Anatoly Bannano the internet’s busiest music nerd ™ and laurie my punk transwomen psychotic co-worker.
Oh what the hell time to hijack this thread… GIMMIE YOUR FAVORITE PLACES TO FIND NEW MUSIC!
Nts.live Dubspot Radio I’ve replaced streaming services with music nerd internet radio.
I love internet radio as much as the next boomer, But what ever happened to music blogs and independent music fans? I like the kind of fanboy that is both a critic and a bridge to new genres.
I get the impression people of that sort have mostly ended up on RateYourMusic.
Music industry destroyed music way before Spotify. The second it became industry.
I routinely added new music I’ve discovered from elsewhere to my Spotify.
I rarely listen to playlists created by Spotify (i also don’t listen to other people’s playlists either but significantly more than the Spotify one)
I have hundreds of playlists, most of them are ideas i had that i haven’t added to so many of them have only a few songs in them.
Another example i have a playlist that is One - Metallica, One - U2 and Chris Cornells mashup of the 2 songs
Just 3 songs because that’s all it needs to be
I don’t engage much with other people through it, and i don’t even “like” all of the songs i listen to.
I’ve heard other people complain greatly about the algorithm they use but I’ve had a really good experience with it to date.(Helped me find me things i enjoy listening to and also things i would never have found myself)
I feel it’s because i put a fair amount of time injecting music into my experience that isn’t dictated by Spotify i have this different experience.
I like to choose a specific song as a seed, and let Spotify keep playing after that.
That’s what has worked very well for me, but i feel if i didn’t often start with something I’ve heard elsewhere it would not have worked so well for me.
Some notes, i listen to guitar driven music mostly. But also enjoy classical music and piano as well, but most of the new stuff i seek to seed track on Spotify is new modern rock.
This works very well for me, but it does what i want.
The other reason i still use Spotify is that after trying Tidal and Deezer I rarely can’t find what I’m trying to listen to.
Honestly the only thing i like about Spotify actually is the catalogue and that it isn’t google or apple.
Ive had more that l than a few … Intergalactic Journeys… Thinking about a repository of music and nanny different versions of it. Still hoping something turns up in 5 to 10 years
And lastly i absolutely loathe when they add things or make changes as well as their playlist creation functions.
