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Cake day: June 21st, 2023

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  • The closest I’ve been able to find to a resolution has been the Gatherer rulings on [[Gisela, the Broken Blade]]:

    In a Commander game, your commander may be Bruna, the Fading Light or Gisela, the Broken Blade, and the other may be in your deck. If they meld into Brisela, Voice of Nightmares, Brisela will also be your commander; but if Brisela leaves the battlefield, only the card chosen as your commander at the start of the game may be put into the command zone.

    That just says that the melded card is a commander, though, and not what happens when the melded commander does combat damage. From the Comprehensive Rules, it seems to come down to what’s meant by “the same commander”:

    903.10a A player who’s been dealt 21 or more combat damage by the same commander over the course of the game loses the game. (This is a state-based action. See rule 704.)

    A few other CRs would seem to shed light, but I’m still not quite sure of the resolution:

    903.3b If a player’s commander is a meld card and it’s melded with the other member of its meld pair, the resulting melded permanent is that player’s commander.

    903.3c If a player’s commander is a component of a merged permanent, the resulting merged permanent is that player’s commander.

    903.9c If a commander is a melded permanent or a merged permanent and its owner chooses to put it into the command zone using the replacement effect described in rule 903.9b, that permanent and each component representing it that isn’t a commander are put into the appropriate zone, and the card that represents it and is a commander is put into the command zone.






  • The number of sources isn’t really the issue; many of those are industry advertisements, such as blog posts on product pages, for instance. Out of the few that are papers, almost all are written exclusively by industry research teams — while that doesn’t on its own invalidate their results, it does mean that there’s a strong financial interest in the non-consensus view (in particular, that LLMs can be “programmed”). The few papers that have been peer-reviewed have extreme methodological flaws, such that there’s essentially almost no support for the article’s bombastic and extreme non-consensus claims.



  • xgranadetoGaming@beehaw.orgLet's discuss: Final Fantasy
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    9 months ago

    (For the most part, excepting those I haven’t played the main questline end-to-end.)

    SSSS: X
    S: VII, XIV, XVI
    A: XIII, XII, Tactics, FFTA, VIIR, VIIR-2
    B: VI, IX, XIII-2, Type-0
    C: VIII, IV, Crystal Chronicles, Dissidia, X-2, LR: XIII, Bravely Default
    F: Crystal Chronicles S, the Android port of FFT

    I love everything I’ve listed at C… for me, that just means “interesting ideas that I really love and hope they’ll revisit, but that ultimately didn’t land for me as a game in the form it was released in.” And yes, Bravely Default is a Final Fantasy game imho.

    [Sorry for continually editing this, the Markdown formatting keeps giving me issues.]


  • Both can be true? He said some mildly pro-queer-rights stuff pretty soon before that all happened, and it’s clear that Grimes calling him out and his daughter disowning him got under his skin. That’s not to defend, not even slightly; rather, the shift in targets and more explicit right-wing affiliation definitely go along with him being (and I wish I could remember who coined this) the most divorced man on the planet.

    The moral failings were already there, but now he’s found a big glowing target for his tantrums, unfortunately for us queer folks.


  • Yes and no. Even in living memory, the Southern Strategy goes all the way back to the 60s, and explicitly identifies opposition to the civil rights movement as a conservative goal. Going all the way back to the Civil War, it’s undeniable how much the economy of the United States is built on slavery — opposing slavery is thus also an economic argument.

    Point being, I don’t think there was some time in the past where economic policy could be so cleanly separated from racial justice, gender equality, queer rights, disability advocacy, and other things that are now seen as “polarizing.” Every economic debate is, I would posit, at least to some significant degree a proxy for a much more critical human rights debate.




  • I mean, the trouble is that voting for Democrats does literally support genocide, if only because every president and presidential candidate in modern history has promised and/or enacted genocidal policies. When talking about US politics and genocide, the bar is so low, it’s in hell.

    The nuance to all of the above is that voting for Republicans supports genocide even more. It’s entirely valid to vote for less genocide amongst several genocidal options, and also to call said genocide out.











  • It may indeed be, I’m not familiar with Middle East Monitor, but Media Bias/Fact Check are themselves rather infamously biased towards the American right wing. For example, they list the New York Times as nearly as left-biased as their scale goes, despite that the Times has largely taken the Republican party line on a number of issues, such as queer rights (their deceptive coverage of trans rights has been a large part of the current moral panic, and has led to multiple open lettersof protest). The Times was even instrumental in elevating Trump to the presidency with their incredibly dubious decision to give Comey’s procedural memo front page placement and a misleading headline mere days before the election — a choice that Nate Silver has said was possibly deciding on the election. The Guardian is also listed as left-center despite even more extreme transphobic editorial decisions than even the Times.

    Similarly, they list MSNBC as far-left, despite them having Republican-led shows and frequent Republican guests. I’ll definitely agree there’s some degree to which they’re on the left, but it’s pretty minor all told. The idea that they’re far left is just ridiculous, and one that only makes sense from the perspective of America’s right-wing culture.

    At the same time, they list Wall Street Journal as mostly credible, something that just isn’t a serious take on media credibility.

    (Edited to add: a lot of this comes down to the very strong bias in American media towards the “both sides” idea that if two sources disagree, the truth must be in the middle. That bias is especially clear in discussions of climate change, but it’s also prevalent in discussions of other political issues more generally.)


  • Artists, like all laborers, should be fairly compensated for their work. The idea that love of art should necessarily come into conflict with fair compensation is a primary vehicle for continuing the exploitation of creative labor.

    That is somewhat orthogonal to the issue of piracy, though. Some of the most strongly anti-piracy platforms out there are also absolutely terrible in terms of labor rights (hence the current strikes in Hollywood, for instance). It’s notable that in this case, the studio seems to be saying fairly explicitly that piracy is indeed not the main obstacle to fair compensation, such that no conflict between their stance and labor rights needs to exist.