I had first heard about the origins of Technocracy within the past years or so on a few podcasts. I’m glad the article doesn’t shy away from its fascist origins; emphasis mine:

Technocracy first blossomed as a political ideology after World War I, among a small group of scientists and engineers in New York City who wanted a new social structure to replace representative democracy, putting the technological elite in charge. Though their movement floundered politically—people ended up liking President Franklin D. Roosevelt’s New Deal better—it had more success intellectually, entering the zeitgeist alongside modernism in art and literature, which shared some of its values. The American poet Ezra Pound’s modernist slogan “Make it new” easily could have doubled as a mantra for the technocrats. A parallel movement was that of the Italian futurists, led by figures such as the poet F. T. Marinetti, who used maxims like “March, don’t molder” and “Creation, not contemplation.”

The ethos for technocrats and futurists alike was action for its own sake. “We are not satisfied to roam in a garden closed in by dark cypresses, bending over ruins and mossy antiques,” Marinetti said in a 1929 speech. “We believe that Italy’s only worthy tradition is never to have had a tradition.” Prominent futurists took their zeal for technology, action, and speed and eventually transformed it into fascism. Marinetti followed his Manifesto of Futurism (1909) with his Fascist Manifesto (1919). His friend Pound was infatuated with Benito Mussolini and collaborated with his regime to host a radio show in which the poet promoted fascism, gushed over Mein Kampf, and praised both Mussolini and Adolf Hitler. The evolution of futurism into fascism wasn’t inevitable—many of Pound’s friends grew to fear him, or thought he had lost his mind—but it does show how, during a time of social unrest, a cultural movement based on the radical rejection of tradition and history, and tinged with aggrievement, can become a political ideology.