Season 2 Episode 10: Cold Harbor
Aired: March 21, 2025
Synopsis: Mark forms a shaky alliance in an all-or-nothing play, while the team makes a dangerous last stand.
Directed by: Ben Stiller
Written by: Dan Erickson
Lumon hired and severed a lot of people to have a kickarse band on that floor. I… don’t mind I guess?
I mean that is an interesting question.
In season 1 Mark and everyone else were just cogs in a machine.
In season 2 Mark is so special that Jame Eagan is now observing him.
That’s not necessarily a bad thing, but what is Lumon up to?
This finale was fucking beautiful. I love that for innie Mark and Helly.
Feeling really sorry for Gemma breaking out of Lumon just to found herself separated from Mark again.
Also can we talk about Mr Milchick dancing with the Marching band?? Lord, the temperature in the house rose 30 degrees 🔥
Milchick has raised some thermostats and eyebrows in my home as well. What a force. Also those shots from the marching band crotch level were intense… very effective.
The very ending of Mark S going away with Helly R was beyond stupid of him.
I get that he doesn’t want to “die”. I get that he loves Helly R. What Mark S just did set himself up to be in Mark Scout’s state of tragedy before Mark Scout the took the job at Lumon before that Mark S gets destroyed forever.
There was nowhere for Mark S and Helly R to escape on the Severed Floor. They will be found, and quickly. With Cold Harbor done, there is no need for Helly R to be on the Severed Floor so she will never return as soon as Mark S and Helly R are found and Helly R is dragged back to the elevator to become Helena Egan again. So Mark S loses her making Mark S lose the love of his life, just like Mark Scout did when he lost Gemma.
Here’s where the real hell begins. The Mark Scout/Gemma + Mark S/Gemma’s brain process was interrupted (destroyed?) by Mark Scout on the black elevator floor. Except… there’s nothing preventing Lumon from simply wiping Mark S’s memory by creating a NEW Mark S Innie! They even said in the episode that 24 Gemma Innies had been created, one for each “file”/room. So they can easily create new Mark S innie, put him in MDR, and drag Gemma back down to the basement again and force her through another 25 rooms. A new Gemma Innie is created in each one, so if they can create 25 before, 50 doesn’t seem to be an issue. As for Mark Scout, they’ll keep him in a prison somewhere just like they did with Gemma. Mark Scout will have no memory as NEW Mark S Innie and Lumon still gets the exact outcome they want from the first time around. Mark S is an idiot.
Original Mark S lost the love of his life, erased his own existence, and doomed Gemma and Mark Scout to hell on Earth trapped for the rest of their lives in prisons.
The very ending of Mark S going away with Helly R was beyond stupid of him.
I got the impression that that was Helena, not Helly.
I’m cautiously optimistic there’s something else Helly R and Mark S can do (or think they can do) and we just don’t know where they’re running to yet. Mark S knows his work is done, especially after what he did to Drummond, regardless of what he thinks about his outie’s motivations. If you were at that exit stairwell (can he even use it? Helly couldn’t 🤷) and you knew that life inside was 100% hopeless then surely you’d take your chances with your outie’s reintegration.
OTC was a convenient plot development for making the situation more flexible and it wouldn’t surprise me if we see another.
I’m cautiously optimistic there’s something else Helly R and Mark S can do (or think they can do) and we just don’t know where they’re running to yet.
Wasn’t it quite obvious that they were about to begin a revolution from within Lumon? Dylan just recruited like 50 people (and Helly was with him prior to that) and Mark just revolted against Drummond with the help of the batshit goat lady (who was already close to snapping prior to Mark’s intervention).
If all the revolutionaries were Severed, it would be the easiest rebellion to but down in history.
Lumon would just need a handful of non-Severed labors, then turn the Severing Technology on an off every couple of seconds (where people go through the jarring transition from Outie to Innie) rendering them not able to function for a bit, then drag the revolutionaries to the stairwell or the elevator. The Outies would wake up without any revolutionary thoughts. They’d be marched upstairs to HR and fired, the secrets of Lumon safe.
I mean, maybe? But what does the revolution even want? Stable non-creepy jobs and 40 hours a week subtracted from their outies’ lives so they can progress their office romance during breaks?
I’m leaning towards some goal that’s more specific to Helena’s situation. Since her father has taken an interest in her innie behaviour it’s likely that she’ll get to continue as Helly R in some capacity but who even knows what his goals are at this point.
I mean, maybe? But what does the revolution even want?
I have no idea, but it’s important to always remember that many of the Innies, particularly our leads, are extremely mentally underdeveloped relative to the age of their physical body. Mark has less life experience than a 2 year old, Helly even less. Basically the only existence they know is Lumon, so they probably don’t even understand the concept of a revolution nor do they fully understand the risks involved. I think that’s the direction the show is heading, but I’m not suggesting they actually have some clearly thought out master plan that will lead to their happily-ever-after Innie world. Batshit goat lady had no fucking idea what she was doing either, she just went mental like a very big toddler having a violent tantrum.
I’m not suggesting they actually have some clearly thought out master plan that will lead to their happily-ever-after Innie world.
I think that’s a key point - they’re not really following a plan, they’re improvising to survive moment to moment.
It’s easy to observe them and say, “this isn’t going to work, because x, y, or z,” but from their POV they’re just doing what they can.
I’m cautiously optimistic there’s something else Helly R and Mark S can do (or think they can do) and we just don’t know where they’re running to yet.
If you were at that exit stairwell (can he even use it?)
If there is, the writers of the show are being completely disingenuous to the audience. How many episodes in Season 1 and Season 2 were spent showing us all the ways they couldn’t escape the severed floor. Yes he could have used the stairway. They explored this in Season 1 where they are standing at the door and the innie walks out, then the innie “wakes up” inside the door again because the outie walked them back in.
Helly R tried to actually commit suicide in the elevator as a way to exit. If the writers suddenly come up with “oh yeah the secret door we’ve never tried that lets us have a happy ending together” then they’ve treated us all like idiots.
OTC was a convenient plot development for making the situation more flexible and it wouldn’t surprise me if we see another.
OTC was used more the Season 1 finale. Remember Dylan Innie “waking up” in his clothes closet at home? It was also used on the ORTBO.
Hell yeah, after several slow episodes in this season, we are finally advancing with the story!
🍿(⌐■‿■)🍿Certified Milchick 🏃🏿➡️🏃🏿➡️🏃🏿➡️
My thoughts about rentegration not being white and black solution were correct, but it’s a shame we haven’t seen any reintegrated Mark in this season.
Mark S and Helly might have run into the
sunsetcold LEDs, but sadly there will be no honeymoon for them.Next season’s premiere must be stronger than this one, because they can’t pull everything under the rug, and return to the previous status quo, like they partially did in this season.
Maybe third season should be the last one, to avoid dragging the story.
They have said they have a path and ultimate end in mind - let them tell the story they set out to tell. It’s a rare case where they know where this is going, unlike LOST where they didn’t already know the answer to questions they were asking. It won’t drag.
Mark Scout didn’t act like a loving husband in this finale. If I knew my wife was being held against her will and tortured (which Mark Scout did from what Cobel told him), I would give everything to get her out. Even my own life. He had that choice but never offered it.
Mark Scout could have offered Mark S the body forever. So instead of Mark S “dying” because a lack of a severed floor, it would be Mark Scout. How? Permanent OTC.
Mark Scout didn’t know that Cobel was the inventor of Severed technology, but Mark Scout could have asked Cobel if there would be a way to make OTC permanent. Cobel would have been able to make that possible because she invented the technology and even OTC. Heck, once both Mark Scout and Mark S knew that permament OTC was on the table, Mark S could have even offered Helly R permanent OTC. Mark S and Helly R could have had a life together and Gemma would have been freed.
If the cost of freeing my wife was my life, I’d take it immediate without a second thought. Mark Scout didn’t.
Was that Helly or Helena on the severed floor with mark?
I hope not, it would be repetitive if they kept doing that, and would get old if they reused that twist. Kinda like the “who’s actually a Cylon” from Battlestar Galactica after the second or third reveal.
Probably Helly. Sounds like her dad sees more potential in her than Helena.
I agree, I never sensed Helena this episode. My hackles were raised earlier in the season, but I didn’t detect any thing this time. I don’t think Helena would have made the same choices Helly just did.
I have my doubts. I have a strong feeling it was Helena. She might have study Helly more.
And there is more. Why did Cobel say: I care about you?
Cobel has been highly invested in Mark. Last season, she basically proved out what Drummond proved this season - that they showed no emotion and no personal connection, the two spouses put face to face; this time, it was Gemma only, showing no emotion in the face of her miscarriage. But Cobel did it covertly, and wasn’t sharing results with the company (yet). She’s helping Mark for now, but I suspect she orchestrated Mark and Gemma’s entire hell 2 years back. She feels guilt, and she worked and lived with Mark. Complex emotions. But she probably genuinely cares in her twisted way.
I’m starting to suspect that after her experience with Mark S, Helena decided to reintegrate on her own. Therefore Helly is Helena, and vice-versa.
So my theory is that Helena setup Petey reintegration in order to get Petey out of the picture.
I think Helena, in an attempt to win her father’s respect/attention/affection/etc tried to be fully involved with “Project Mark”. However Jame refused and Helena was sidelined. I think Helena then setup Petey finding a way to reintegrate, knowing it would get him kicked off the project. Once Petey was off the project Helena would volunteer for Severance to replace Petey, both putting her on the the biggest project they had and furthering the severance procedure.
As a result I think Helena is aware of reintegrate and could reintegrate, but given it’s current death track record, isn’t likely to do so, yet.
I suspect she knows where the doctor is and will attempt it in a future season, but hasn’t yet.
A great episode to end the season, though it did confirm my suspicions that the writing has been heavily padded. If they had tried to build up to this episode any more than it would have likely spoiled some of the big moments and reveals, so instead they had to have several episodes (including one that was egregiously short) where very little happened to tread water until the finale. To distract from that, they tried to make those episodes as visually interesting as possible. I predict that once future seasons have aired, it will become quite obvious that the finale of this season should not have been a finale at all but rather the culmination of a second act coming in somewhere around the episode 7 - 8 mark.
I can’t believe I’m reading all these comments about this season being “padded”. I’ve watched through the whole season again this week in advance of the finale and I just couldn’t disagree more. We gained CRUCIAL information and back story throughout. Every episode was riveting. I don’t get where everyone’s coming from.
I’m of two minds about this.
The sweet vitriol episode built out the world in a really interesting and character-centered way, but it interrupted a really important development that was moving the story forward so it felt like slamming on the breaks
If that episode had come after the return of Irving, Dillan, and Hellena instead of right after Mark’s ayahuasca trip, it wouldn’t have felt quite so jarring.
It’s a shame because I really liked that episode, I just couldn’t enjoy it as much because I was dying to know what happened with Mark (I’m still kind of dying for more details)
I’m of two minds about this.
Pun intended?
Yeah, I do get that. I really liked how they took full episode deviations and explored the world more, like an episode 4 in Woe’s Hollow or Sweet Vitriol. Chikhai Bardo definitely leaves you hanging with Sweet Vitriol right after… But it gives you another week to think about it. Same with episode 1, then 2. They’re telling stories of the exact same time frame, but you’re off the Severed floor for a full week until Who’s Alive - and episode 3 definitely paid off both episodes for me.
I completely agree that there was no padding. The only thing close is the setup in episode 9, in order to give episode 10 the flow it needed.
For example if we look at Gwendolyn Christie’s Goat caretaker character we could have used a filler episode to better show her journey. If we watch her scenes back to back it isn’t surprising she turned on Drummond. We could have used an episode where Mark is just wandering and talking to her again as a reminder. Unfortunately there isn’t time after her first appearance where that could have happened.
Similarly Cobel is absent for half the season. We could have used something to keep her story alive, but instead we get a one episode character dump. That isn’t a mistake. Slowly drip feeding her story is an option, but the one episode build up and reveal was an excellent choice.
I’m pretty much on your camp. I was fascinated by every episode. I won’t say I enjoyed each episode equally though! :D
With a finale like that, I have to admit, I broke the rule too!
I’ve watched through the whole season again this week in advance of the finale and I just couldn’t disagree more.
This is a misleading way to form an opinion on pacing, because this season didn’t release in a binge watch format. Apple have milked 3 months worth of subscription fees from their audience between the airing of the first episode way back in January and the finale in the latter half of March. The vast majority of paying viewers have been watching from week to week and they’ve maintained their subscription throughout that entire period.
the vast majority of paying viewers have been watching from week to week and they’ve maintained their subscription throughout that entire period.
We canceled our Apple TV+ subscription tonight after watching. With this season’s pacing and disappointments, I’ll likely wait until the next season is complete and watch it all in one month.
I honestly don’t mean to be argumentative. I think this is the best show on television full stop. I’m just trying to wrap my head around all the critical comments. I’m a little shocked to see it.
Sure, I said REwatched though. And I never had an issue with the pacing in the first watch week to week either. Do you feel like the pacing was any different from season 1? I’m not so sure it is any slower. Both seasons really slow down and let you soak in the artistry. Season 1 left you with questions and not many answers. And this season was spent answering all sorts of questions from season 1… Honestly I thought they crammed a ton into this season.
Season 1 left you with questions and not many answers. And this season was spent answering all sorts of questions from season 1
I certainly didn’t get that feeling. For every Season 1 question they answered, they raised 3 more in Season two. I found it very unsatisfying for most episodes this season to get to the end of an episode with little to know forward movement in the reveal.
Both seasons really slow down and let you soak in the artistry.
I have no problem with a slow paced show, but its got to move forward. I started getting annoyed with the lack of forward progress and the artistry lost its value and simply was an annoyance. For the second half of the season I found myself on the 10-second-skip-foward button for a good chunk of the episodes.
For the second half of the season I found myself on the 10-second-skip-foward button for a good chunk of the episodes.
I never skipped (I don’t really skip anything on principle, if something is consistently that bad I just bail entirely), but the thought definitely began nagging me around the same point as you. To me this is a really bad sign for a show that I devoured every single second of in its first season.
Sure, I said REwatched though.
Your reply implied that the reason you disagreed was because you’d just rewatched the entire season again, as if doing so somehow added further weight to your argument. Fair enough if you didn’t feel this week to week either, but stating this after the fact feels like goalpost shifting to me. I think my point still stands - binge watching the entire season doesn’t make you any more of an expert with regards to potential pacing issues, and in fact is more likely to obscure them.
Do you feel like the pacing was any different from season 1?
Yes, absolutely. The most notable difference is that it was much more consistent. Season 2 is all over the place, in terms of pacing within episodes but also with its setups and pay-offs. It jumps around a lot more and has multiple episodes that are completely severed (pun intended) from the previous episode, to the extent that I sometimes felt like I’d missed an episode or forgot to finish the last one. It is too often verbose in its storytelling, taking a long time to get to the point and there are countless scenes that drag on far too long. It many instances they tried to disguise this by making shots as visually striking/creative as possible, which led to constant praise from some about the cinematography. But to me, great cinematography is not about making a scene visually interesting - it’s actually about using visuals to enhance the ideas or emotions of the narrative. It’s about communicating something to your audience. Season 2 consistently fails to do this because there is often not much there to enhance. It is shallow television, pretending to be deeper and more interesting than it actually is (relative to its runtime).
To me, Season 2 is much more stereotypical mystery box television in the sense that it spends a lot of time distracting you with new questions and mini twists whilst rarely delivering conclusions to anything that has come before. This is a genre that is notorious for farming engagement through convoluted and confusing storytelling and overloading viewers with questions to generate discussion and fan theories that keep them engaged to see if their predictions were correct. Season 1 was a much more interesting and unique blend of comedy and thriller, gradually transitioning from one into the other as the season progressed. The narrative was a lot tighter; it asked questions but in moderation, and you always understood their relevance to the characters and their stories. To some extent you are always going to have a broadening of scope as a multi-season serial progresses, particularly when it transitions into a more serious genre as Season 1 did. However, the gap between the end of Season 1 and the end of Season 2 is just way too big for me to believe this is a natural progression of the original story. I think it has clearly been a victim of artificial inflation due to the unexpected success of the first season and the subsequent pressure to turn this into a massive moneymaker going forward.
Well everyone’s certainly entitled to their opinions, and you’re clearly not alone. I see where you’re coming from better now, even if it just doesn’t make me feel the same way.
Re: goal post shifting - my point wasn’t that my experience rewatching was what informed my decision, I wasn’t trying to imply that at all. It was simply that it was all fresh in my mind is all I meant. Sorry I wasn’t more clear.
No that’s all good, I appreciate you hearing me out anyway. To be clear, I didn’t hate Season 2, I just think the most interesting talking point about it is the shift in direction it has taken so that’s why my overall takeaway from this season seems more negative. The mystery box genre is popular for a reason, so I don’t think anyone who loves Season 2 is objectively wrong or anything. It’s not my favourite genre, though, and I feel like I have seen a lot of this before whereas Season 1 is always going to stand out to me as something quite unique in television.
I don’t know if this episode could satisfy my strong desire to just understand what exactly Lumon is doing here. The most dissatisfying thing is they didn’t really answer what’s going on with Cold Harbor. But aside from that I loved this season.
Like yes, more implications about Cold Harbor are confirmed. There seems to be a connection between Lumon and their aim to remove tragic memories, hence their approval when Gemma doesn’t react emotionally to dismantling the baby crib. I can even see a future back story episode where Gemma is talking to the doctor character speculating about “what if you forget all the painful moments of your life?” before she is eventually abducted (or maybe she willingly chose to be severed at first?)
Then there’s the whole, who is outtie Irving talking to? I speculate it’s the Whole Mind Collective. I think we might see outtie Irving and outtie Burt again at some point, but have no idea what they’ll be up to next.
Dylan had a satisfying end to this season, albeit kind of a repeat ending of last season. I’m pretty sure next season is going to be a search for meaning for him without his wife, without his work, and without anymore perks for them to lord over him.
I still don’t know what the fuck James Eagan is doing though. I could have sworn they were trying to resurrect Kier, or give James a new body using Cold Harbor somehow, but there’s so many questions as to why he’s so interested in witnessing whether Gemma is so thoroughly a blank slate inside that room. Like, why? Why does James need her to be a blank slate with no memories? Is he trying to erase past sins like Burt? Are you developing an Endless Sunshine of the Spotless Mind kind of technology to sell to the masses? For the love of God, Ben Stiller, just tell me!! Lol.
And then we get to the climax, where Mark S decides to simply stay with Helly R. (or Helly E. As she indicates to Milchick in last episode). They built up to this beautifully. The conversation/confrontation between Mark Scout and Mark S. at the beginning was brilliantly written and I love how they portrayed it. It perfectly encapsulates the relationship the outties have with their innies. We’ve been rooting for Mark Scout finding and saving his wife this entire season, but the argument Mark S. makes is very compelling and in all honesty I don’t blame Mark S. for sort of cutting it both ways at the end there. He saves his outtie’s wife, but takes his outtie’s time/life in exchange.
It’s such a beautiful turn of events where Mark S. turns the tables on the outties and in a way says, “Y’know, you guys on the outside get to call all the shots and say what’s important…but for once in my life I’m going to call the shots, I’m going to say what’s important, and now, you all have to wait on us on the inside.”
Its an interesting plot twist. And yeah, I’ve already seen the conversations elsewhere saying “But where will they go? This is such teenage romance schtick.” Its a valid criticism, but I honestly think it’s beautiful. From a practical standpoint though, yeah, the innie’s are kind of in between a rock and a hard place. I like the theory that the innies will refuse to leave the building until more demands are met. Perhaps Mark S. will demand Helena never be allowed to exist again and Helly will be given complete control over her body…in exchange for him returning to be Mark Scout forever. Only for the reintegration to kick in fully once he finally leaves.
I theorize that Gemma will immediately go to the authorities and we’ll see a sociopolitical drama unfold where Lumon tries to once again put out a PR Marketing dumpster fire. Or she’ll be sent in to get Mark S. to compromise somehow so she can get her husband back.
Its an amazing show, but damn do I hate how it’s become a more modern day Lost. I’m a selfish little plot pig and just want my questions answered now, oink oink, lol.
Anyway, nerd rant over.
So it’s discussed in the “after the episode” featurette but I want to highlight the beauty of the four part/four person Mark/Gemma transition scenes.
First we have Mark Scout finally find his wife, but she’s an innie. It’s tragic that Mark finally finds her, but she isn’t her.
Then we get the true reunion. Mark Scout finally finds his wife Gemma. It’s what he’s been looking for the entire series. But it’s tragic that w don’t have time to explain or discuss anything.
Then we get two strangers. Mark S and Ms Casey. Sure they’re familiar with each other, but they don’t really know each other. It’s a reminder of how tragic things were in season one, so close and yet so far.
And finally we get the reverse. Mark S and Gemma. Mark S dud his duty and saved Mark Scout’s wife. But that isn’t his wife. Tragically he can’t save the one he loves. Best he can do is run away with Helly, but they have nowhere to actually run.
Was that Helly, though?
So while watching, Helly suddenly appears from the elevator and I wonder. She disappears during the vending machine moment and I have to wonder where she is.
I think it’s possible, but looking at the dialogue and how she reacts, it’s definitely Helly R.
So it’s Helly R.
I just finished the episode, and I don’t know if I’m ready to talk about it yet. But goat lady might be my new favorite character.
Brienne of Tarth never disappoints
I was praying for her to save Mark S - and as soon as she did, I said, “now SHE can handle herself in this fight!” And I’ll be damned if she didn’t do exactly that. So glad Gwendoline got another major fight scene here. That RULED.
The final scene of Mark S and Helly R running down the hall panicked and giddy into a freeze frame zoom quotes Truffaut’s The 400 Blows. In that film and several that followed, the character of Antoine Doinel, age 14, represents a younger facet of the director himself. He is an innie Truffaut, if you will, coming of age.
In the climax, the rebellious delinquent Doinel escapes from the reform school to which he has been confined and runs to the ocean. He looks around, without any obvious plan for what to do next, before looking towards camera in a freeze frame zoom that encompasses the uncertainty of his future from here.
On a less literal level, I wonder whether the freeze-frame and fade to red connects back to (outie) Mark and Devon’s original after-image plan. We get a fading after-image of Mark S and Helly R and the implied question: “Who is alive?” Besides the literal sense when it referenced Gemma, that’s obviously a question that goes to the heart of the show. Who is alive?
It’s also the ending of The Graduate and I need to mention it here because it’s one of the rare references that I actually saw myself (so many references in this *slaps roof*).
Not stoked about cold harbor. Answers no questions, has some weird plot points, and just a super unsatisfying ending. What was the lead in earlier seasons asking if Gemma was more afraid of suffocating or drowning. Also 75 minutes long!? For what? Meh.
The question about drowning might have just been a misdirect for the audience, I suppose? The purpose of the actual Cold Harbor test is clear, though, they present her with a task of dismantling a baby crib, essentially giving up on the dream of motherhood that Outie Gemma had, yet their analytics show she’s feeling no pain about it, meaning their quest to separate a human completely from their trauma has worked. There’s a reason an earlier line mentions freedom from pain.
I’m left uncertain about why they wanted specifically to get ready of her after this test, though. Is that really the biggest pain they could test for? Is there a limit on innie instances? Or is it again some bullshit Kier limitation that’s part of their rituals?
Also seems like there’s more of a backstory with Lumon possibly creating Gemma’s infertility to traumatize her and then see if they can reverse the trauma completely via the Severance procedure.
Answers no questions
How about the evergreen “what’s the deal with the goats”?
Yeah still processing. Lots of unanswered questions but some cool moments for sure.
So I guess next season Mark and Helly are going to be hiding out on the severed floor while Devon and Gemma team up to break him out?
Now that the season is over, what was with all the babies in the opening credits? Was that just because of the infertility backstory, or maybe they’re setting that up for something else? I was certain that there would be weird baby clones of the severed employees revealed at some point this season
I think Jame Eagan trying to make babies in whom he sees Kier is probably a good read. The baby in the opening credits seems to have Kier’s face, which in a metaphorical sense is Jame’s goal. The innies are also “babies” in a sense, and Jame says he sees Kier in Helly R, so that’s another “baby” with Kier in them (although this one is a stretch because they’re more like adolescents this season). Third, I guess it contrasts Kier with Dieter, who spilled his lineage in the forest rather than procreate and pass it on.
