Roan spoke out against unfair labor practices within the music industry during her acceptance speech, saying:
“I told myself that if I ever won a Grammy and got to stand up here before the most powerful people in music, I would demand that labels in the industry profiting millions of dollars off of artists would offer a livable wage and health care, especially to developing artists. I got signed so young—I got signed as a minor. When I got dropped, I had zero job experience under my belt, and like most people, I had… quite a difficult time finding a job in the pandemic and [could not] afford insurance. It was devastating to feel so committed to my art and feel so betrayed by the system and dehumanized. If my label had prioritized it, I could have been provided care for a company I was giving everything to. Record labels need to treat their artists as valuable employees with a livable wage and health insurance and protection.”
I think this touches on the concept of labor aristocracy pretty well. But at the point where you’re a billionaire, even labor aristocrats would have needed to do some level of exploitation. At which point, they’re just doing the same thing the owning class does.
For instance, once you start doing shit like licensing IP (private property is theft; including “intellectual property”), creating fashion brands, perfume, and other forms of “passive income” (A.K.A. stealing from someone else) like that, you’re not really profiting off of your own labor anymore. You’re exploiting others.
I don’t think anyone from labor aristocracy can ever get to the point that they’re approaching billionaire status with clean hands (relative to how “clean” one can be under capitalism). But artists like Chappell Roan aren’t anywhere close to that, as someone else pointed out.