Okay, the Waterfall one had my jaw on the floor lol.

One that stuck with me was that on the genocide route when the infamous “but nobody came” text appears, if you speed the background noise up, it will be Flowey’s theme. Really cool!

Goddamn beautiful. The music, the scenes… I don’t know, it’s hard to explain. Enjoying the good memories of the past while acknowledging and accepting what has happened. The high notes of the violin still gives me goosebumps.

Hero. Nothin special, he just seems like a nice guy.

Edit: Btw we have 15 subscribers on Lemmy! (Was a little confused haha)

WHERE’S GOKU/j

It’d be interesting, but I’m not sure how many people with participate

Hello! Not exactly a theory, but I’m incredibly curious on what are Ralsei’s motives.

I’d like to also drop in an Undertale-related thought of mine that explains why Chara acts the way they are in the game is because they’re souless. Now, that sounds obvious, but I have never seen it get brought up in any discussion lol. Not to cause a Chara-morality argument here, just a possible thought.

I think the moment on the black-and-white stage is underrated. It’s Final Duet but without the Mari’s piano. Just Sunny. Alone. Playing the overdue recital with no one coming to listen. I love it.