Who is the artist behind this work?
Suno CEO doesn’t even know what tuning an 808 means.
I hear people are doing such dishonest things as flooding the ICE Tip Form with false leads.
The fools. Hope they’ve got a VPN, or whatever it is they need to stay anonymous and untraceable.
Based on my experience, there shouldn’t be any difference between distributing a long song vs. a short one. You may not have come across them in the wild because algorithms, like radio, tend to favor 3-4 min songs.
Pretty neat IMO (though I’m not a Bitwig user). They really seem to be upping the ante as an Ableton alternative.
Stuff like this makes me think this may one day become classic, historical gear.
Still amazes me to this day that they were able to render such a faraway horse in 128-bit…
I think there was a ROM hack that solved this floating-point error. If I can find it, will post link.
I appreciate it. I always thought Deezer was just a streaming platform like Spotify.
Also, dang, surprised so many downvotes for my original comment lol.
I work part time as an audio producer. Converting MP3 to FLAC is like trying to upscale an image: you can use all the fancy algos to repair loss, but it’s still lossy.
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This doesn’t sound like what I’m asking for. I’m not interested in paying Deezer for music I already own.
Bespoke: You’ll become more Druid when you’re older.
The Roman salute is also known as the fascist salute. https://en.wikipedia.org/wiki/Roman_salute
Regarding your second paragraph: I think about that so much these days.
You didn’t miss once with this take.
This is how I understand what you’re saying: Over here we have the “musicians,” a title reserved for only those who play an instrument. On the other hand we have the “producers,” who make music on a computer, without an “instrument.”
But I say both make human music. And a computer can be an instrument. Drawing notes in MIDI is not much different than composing in Musescore. The producer is not unlike the classical composer, and I say both are musicians. And in a discussion on AI music vs. human music, why should we make a false dichotomy within human music anyway? “All models are wrong, but some are useful,” said George E. P. Box, statistician.
I think people have taken you as arguing in bad faith. I, and I assume many others, would agree with you that Suno AI is bad. I think AI is ethically uncouth. But your original comment seems to be making a false equivalency between AI music and sampling. I think I understand what you mean better, but I still disagree with your premise and think it’s a weak argument for fighting AI.
If we can resolve the ethical complications of AI, I agree, AI could be a net-positive, beneficial tool for learning and accessibility. Suno isn’t really that, though. It’s more like a vending machine.
Maybe you’re right, and as for people like yourself, who already know the emperor has no clothes, you don’t need to have to look at his nakedness. Others need to see him make a fool of himself. As for me, I like galvanizing people around these issues.
Dude, you’re the one drawing the lines at who gets to call themselves a musician and who is just a “different kind” of artist. As an “akshul” musician, by your definition, I think you’re mistaken and parroting some reactionary takes.
A few years ago, I switched from Logic to Reaper and haven’t looked back. Reaper may not be particularly pretty, but it is incredibly powerful. If Reaper’s look is a drag for you though, try out some different themes, like the Reapertips theme. Reaper is also cross-platform, so you aren’t beholden to macOS or Windows, and it runs on Linux.
Every now and then I feel a bit of envy for the modular sound design I see people do in Ableton or Bitwig, but there’s very little that I haven’t been able to replicate in Reaper, and when I need to, I use Cardinal for more intense modular sound design.
The better way to thwart republicans: take away their memes.