• 34 Posts
  • 43 Comments
Joined 6 months ago
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Cake day: September 24th, 2024

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  • This is how I understand what you’re saying: Over here we have the “musicians,” a title reserved for only those who play an instrument. On the other hand we have the “producers,” who make music on a computer, without an “instrument.”

    But I say both make human music. And a computer can be an instrument. Drawing notes in MIDI is not much different than composing in Musescore. The producer is not unlike the classical composer, and I say both are musicians. And in a discussion on AI music vs. human music, why should we make a false dichotomy within human music anyway? “All models are wrong, but some are useful,” said George E. P. Box, statistician.

    I think people have taken you as arguing in bad faith. I, and I assume many others, would agree with you that Suno AI is bad. I think AI is ethically uncouth. But your original comment seems to be making a false equivalency between AI music and sampling. I think I understand what you mean better, but I still disagree with your premise and think it’s a weak argument for fighting AI.







  • A few years ago, I switched from Logic to Reaper and haven’t looked back. Reaper may not be particularly pretty, but it is incredibly powerful. If Reaper’s look is a drag for you though, try out some different themes, like the Reapertips theme. Reaper is also cross-platform, so you aren’t beholden to macOS or Windows, and it runs on Linux.

    Every now and then I feel a bit of envy for the modular sound design I see people do in Ableton or Bitwig, but there’s very little that I haven’t been able to replicate in Reaper, and when I need to, I use Cardinal for more intense modular sound design.