• rekabis@lemmy.ca
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    9 months ago

    Virtually every single bad adaptation can be directly traced back to studio interference.

    Movies like LoTR only happened because the studios thought it would be a colossal flop, and so left the directors and producers alone.

    If you want great movies, the studios need to leave the producers and directors the hell alone.

    • frezik@midwest.social
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      9 months ago

      Counterpoint: Game of Thrones. The studio would have been happy to give them a few more seasons to develop a better ending. It’s the creators who gave up and phoned in the ending we got.

      • Rodeo@lemmy.ca
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        9 months ago

        George RR Martin is the creator of game of thrones, not the show runners.

        Oh wait, the original example was lotr, which also was based on books lol. Nevermind me, carry on.

        • lolcatnip@reddthat.com
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          9 months ago

          LOTR was based on a trilogy that was finished looking before the movies were made. Starting a TV show and hoping the source material would be finished in time for the end was a, um, bold move.

        • themeatbridge@lemmy.world
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          9 months ago

          George RR Martin was a consultant on seasons that had not yet been written as books. He told the writers where he wanted the story in the books to go, and where to take the story in the show. I doubt it’s true, but a lot of fans were speculating that he made the end deliberately bad (Arya kills the Night King, Denarys goes crazy, Cersei and Kingslayer reunite to be crushed by the collapsing Red Keep, Bran becomes king) because he wanted the show to be worse than his next two books. @

          • Meowing Thing@lemmy.world
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            9 months ago

            My head Canon is that that was the actual ending he planned and because it flopped so hard the last books will never happen

            • dustyData@lemmy.world
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              9 months ago

              No man, that specific ending can be made to work. But you need good writers, several more seasons and good taste to do that. Martin gave DandD a finish line, but they had to figure the trail and make the run. They just suck at that so bad that it almost killed their entire careers, got them dropped from the job they had lined up and poisoned everything they touched for 5 years. Netflix just gave them the “3 body problem” adaptation. I’m sure it will be good because the thing is already written, and they are usually good at coloring between the lines. Just not good at coming up with new original or creative stuff.

          • Kecessa@sh.itjust.works
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            9 months ago

            He said in interviews that he was pushing for 10 seasons, I don’t think he intentionally fucked up, I think he did what he could with two showrunners that were tired of doing their job and couldn’t accept that someone else would take the reins.

    • StThicket@reddthat.com
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      9 months ago

      Also, low bugets makes the directors extra creative. They need to make the most of what they have. In my opinion, a well written plot trumps special effects every time.

    • Kairos@lemmy.today
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      9 months ago

      Writing is the only thing that matters. I point to “Everything Everywhere All at Once” and “Amsterdam”. The latter of which had 4x the budget.

    • AngryCommieKender@lemmy.world
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      9 months ago

      LotR also is going to stand out from now on, because at the time it was made, CGI was ok, and getting to be good, but they didn’t trust it for crowds yet. SW Ep. 1 came out at about the same time, and the CGI crowds don’t hold up. LotR had PJ directing and he wanted to use as many real people and real sets as he could, so that when they had to use CGI it wouldn’t be noticable. You can see the difference looking at The Hobbit movies.