• Endymion_Mallorn@kbin.melroy.org
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    7 days ago

    That’s a perspective on Mary Shelley that I hadn’t considered. But she was reasonably well-adjusted and popular. And yes I do consider Frankenstein to be the first English science fiction.

    • Spiderwort@lemmy.dbzer0.comOP
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      7 days ago

      I don’t refer to mary shelly. I do not distinguish her as the “inventor” of science fiction either. Rendering strange ideas in terms of esoteric disciplines for the metaphorical augmentation or whatever is as old as humanity.

        • Buddahriffic@lemmy.world
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          7 days ago

          If the authors believed magic and the gods to be real, would ancient works like The Epic of Gilgamesh or The Iliad count as science fiction?

          • Endymion_Mallorn@kbin.melroy.org
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            7 days ago

            Good question! Typically they get listed as fantasy because the magic isn’t manmade. Most definitions of science fiction require a human to have created the unrealistic element - or an extraterrestrial lifeform who is roughly analogous to a person. It’s not just that magic is present, but that it was derived from supernatural sources and not by human actions.

        • Spiderwort@lemmy.dbzer0.comOP
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          7 days ago

          It’s something I haven’t delved into enough to arrive at a definitive conclusion, actually. The subject delivers little thrill for me.

    • MajorHavoc@programming.dev
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      7 days ago

      Great question. I’m not OP. But a bunch come to mind.

      Disclaimer: Even in recent classic eras of science fiction, it wouldn’t have been safe for authors (who need publisher trust to buy food) to get diagnosed as neurodivergent, so I feel like we’re left with wether neurodivergent individuals embrace their work, rather than if the author ever acknowledged any personal neurodivergence.

      Disclaimer: I’m not neurodivergent. I don’t feel safe seeking a diagnosis. And things aren’t binary, so what the hell. I do acknowledge it’s interesting that I relate strongly with a bunch of these characters, and can bring them to memory quickly as some of my favorites…

      With that disclaimed:

      • “The November People” by Ray Bradbury comes to mind. It explores how classic Hollywood “monsters” would handle themselves as roommates, mostly through exploring their mental diversity rooted in their physical/cultural differences.
      • Asimov’s robot detective stories (start with The Caves of Steel) have protagonists whose planets effectively make them neordivergent anytime they visit another planet than their birth world.
      • “Stranger in a Strange Land”, by Heinlein, is about a neurodivergent (for Earth) young man who grew up as the sole human citizen of Mars.
      • Philip K Dick’s detective protagonist from “Do Androids Dream of Electric Sheep” (aka Blade Runner) is clearly neurodivergent, as is his wife.

      Edit: As others have mentioned, Mary Shelly’s Frankenstein, of course!

  • HubertManne@moist.catsweat.com
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    7 days ago

    It is funny. There are so many things in modern day that would be a dream come true to young me but it all goes dystopia and all the fantasy and scifi is one of those things. I thought I would love so much but so much is not done well. I sorta feel for gay people because being into scifi was a subculture but it going mainstream has greatly diminished the subculture as it sorta becomes unnecessary but I miss that small group feeling.

    • abbadon420@lemm.ee
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      7 days ago

      That’s not entirely true. There’s still good sci-fi being made. Look at the expanse, dark, altered carbon.

      I dont know much about newer books, but I m sure there’s good scifi writers out there still. What comes to mind is ready player one, red rising, pines, although these are all 10 years old by now. It illustrates that it’s not just the era of Heinlein and Asimov that counts.

      • HubertManne@moist.catsweat.com
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        7 days ago

        Yeah its not so much good sci-fi is not being made as there is such innundation that its more of a diamond in the rough kind of thing and Im talking more media than literature.

    • Spiderwort@lemmy.dbzer0.comOP
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      7 days ago

      Greg Egan, Iain Banks and Sam Hughes are good stuff, if you haven’t.

      Also, there’s this amazing new genre, “LitRpg”. Basically fantasy where an rpg type videogame became real.

      Most of it is the usual dreck but some of it goes hard sf, delving into the existential stuff.

      A couple of the rationalists have even taken a swing.

      Try

      Mother of Learning

      Death after death

      Friendship is optimal

      So ya, real development is still alive.

  • EABOD25@lemm.ee
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    7 days ago

    Modern sci-fi was created by an extremely depressed widow that only thought about the social and scientific repercussions of bringing her husband back from the dead and put it in the form of literature. And appreciation for Sci Fi has been around for a very long time. Nosferatur, The Haunting, House on Haunted Hill, The Blob, The Day The Earth Stood Still, War Of The World’s, etc…

    • Spiderwort@lemmy.dbzer0.comOP
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      7 days ago

      No, modern sci-fi evolved over time like all the other complex stuff tends to.

      Modern sci-fi is created by every fellow with a strange idea. Who thinks maybe I could get my idea across better if I framed it as a narrative and put it in scientific terms. because science is such a lovely language for talking about strange ideas.

      • southsamurai@sh.itjust.works
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        7 days ago

        You know, you’re both right.

        modern sci-fi is indeed a collective thing that has evolved from its roots. The seed that grew into sci-fi was indeed Mary Shelley.

        However, that depends on the term modern meaning something different from sci-fi as a whole, and when you cut off the start point of modern. If you count all science based fiction as modern, then Shelley is the defining origin.

      • EABOD25@lemm.ee
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        7 days ago

        Mary Shelley’s Frankentstein is noted to be the future sci-fi story. Mary at the time was dealing with grief of the death of her husband. That’s all I’m saying

        • entropicdrift@lemmy.sdf.org
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          16 hours ago

          No she wasn’t. Frankenstein was published in 1818, Percy Shelley died in 1822. She did have multiple stillborn children, the first of which was within the year prior to the initial first draft of the story, plus she blamed herself for the postpartum death of her own mother. Percy helped edit Frankenstein, he wasn’t dead yet.

  • RBWells@lemmy.world
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    7 days ago

    I don’t really think so, unless you have a very broad definition of neurodivergence. In which case, yeah sure most all art is made by people who are not balanced happy individuals, now too. If you don’t have that black hole of need inside you, you don’t need to fill it.

    HG Wells

    Jules Verne

    Mary Shelley

    L Frank Baum

    Heinlein

    They seem like regular minded people just brilliant. I don’t think of anyone as a “normie” though, my definition of normal is either it has to be broad enough to encompass a majority of the population, or it’s meaningless because nobody is identical to anyone else, all broken in our own way and strong in our own way.

    • Spiderwort@lemmy.dbzer0.comOP
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      7 days ago

      Black hole of need?

      How about just different shapes of people, with differing tastes. Some obsess over money. Others over art.

      • RBWells@lemmy.world
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        7 days ago

        Sure, but happy satisfied people aren’t usually the ones who progress humanity forward in art or sport. I wouldn’t describe it as neurodivergence, but do think it’s the people who have a need that most of us don’t.