Brian Cox thinks cinema is “in a very bad way,” with the Marvel and DC Universes partly to blame.
The legendary actor of stage and screen – who most recently garnered critical acclaim for his award-winning role in HBO’s Succession – spoke at an Edinburgh International Film Festival panel on Saturday. When asked about the recent successes of globally popular TV shows, Cox cited the latest MCU installment Deadpool & Wolverine as a great example of cinematic “party time”.
“What’s happened is that television is doing what cinema used to do,” Cox told the audience of television’s originality. “I think cinema is in a very bad way. I think it’s lost its place because of, partly, the grandiose element between Marvel, DC and all of that. And I think it’s beginning to implode, actually. You’re kind of losing the plot.”
He discussed Ryan Reynolds and Hugh Jackman of Deadpool & Wolverine while referencing how films are “making a lot of money that’ll make everybody happy, but in terms of the work, it becomes diluted afterwards. You’re getting the same old… I mean, I’ve done those kind of [projects].”
Cox starred as William Stryker Jr. in X2: X-Men United (a military scientist who persuades Logan to become Wolverine), and admittedly said he “forgets” about the fact he “created” Wolverine. “Deadpool meets the guy… Wolverine, who I created, but I’ve forgotten. Actually,” he jokes, “When those films are on, there’s always a bit of me [as Stryker] and they never pay me any money.”
“So it’s just become a party time for certain actors to do this stuff,” Cox added. “When you know that Hugh Jackman can do a bit more, Ryan Reynolds… but it’s because they go down that road and it’s box office. They make a lot of money. You can’t knock it.”
Television is pulling ahead, he continued, with incredible shows like Jesse Armstrong’s Succession and Netflix’s Ripley, starring Andrew Scott. “There’s so many [shows] and you’ve got the honor of telling the story over a period of time.” The actor said movies of his childhood such as On the Waterfront are what made him want to “be the actor I’ve become,” but it’s partially eradicated.
Ah nothing like effete dilettante artists telling us bumpkins that what we like to watch isn’t really art and we should go lock ourselves in a dark room to watch a black and white film that’s mostly exposition about morality given over long zooms on broken furniture or swooning women or an old man smoking a pipe.
Sorry dude but the high tech equipment we have in theaters should mostly be used to blast our eyeballs and ears into oblivion. I’ll watch deep, moving art pieces on my home television.