Drop the scene from deadpool and wolverine where they chop up a hundred deadpools. It’s cheap cgi at that. The animations at the end were pulled straight from a video game
A lot of scenes are just thinly veiled commercials - why are we spending so much time looking at the front of a brand-new car the characters are getting into? It’s always awkward and takes away from the scene.
The biggest one for me is in Butterfly effect, when he goes back in time and gives himself the scars, it goes against everything we learned about time travel in that movie. If he did that he would have had the scars all along, they would not have appeared out of thin air, also the timeline would have diverged there.
In the same vein, in looper where they start crippling the past version of a person and the future one who is running away from something gets starts stumbling more and more until he can’t walk, but the first few hundred meters he still made somehow.
But that is internally coherent from what I remember. I.e. time always works that way, changes in the past are propagated, and time travelers get the effects sometime after it.
Ah maybe it is. I don’t remember it very well anymore. Then it wouldn’t be a bad scene and more of a bad overall setup.
Yeah. It is consistent with the time travel rules in Looper, and the rules in Looper are just kinda silly.
It makes me sad because there’s no real need for it - the plot to Looper would still have worked without the silly bits.
Last Jedi:
Leia gives Rey a hand held tracking device and tells her that with it she will be able to find them wherever they go.
In THE SAME SCENE, they come out of Hyperspace followed by the First Order and claim it’s impossible to have followed them.
The tracking plot point is not mentioned again.
(p.s. A similar tracker was placed on board the Falcon in the OG Star Wars to lead the Death Star to the rebel base on Yavin 4).
Last Jedi
That’s cheating, none of that movie made any sense whatsoever.
The plot point is that you cannot be tracked while in hyperspace. Something the first order was able to do so they could follow them to their destination instead of waiting until they are out of hyperspace to pursue them.Trackers are well established in the universe otherwise. They just only work outside of hyperspace.
The codebreaker/casino arc in The Last Jedi
More precisely: Anything in The Last Jedi
I have so many complaints about that movie but THIS is number one. The entire thing is a complete waste of time, all set about because Poe got turned into an insubordinate, hotheaded moron. Doesn’t help that Holdo has a perfectly functional plan she won’t share with anyone instead preferring to let them believe they’re all going to die, but frankly the movie is just a series of stupid, terrible decisions in a row from every character and above all, the director.
Can you tell I hate this movie?
I still have no idea what Snoke’s role was. F Rian Johnson.
He just needs to stick to Knives Out and stay away from other franchises.
The hyperspace collision as a weapon is worldbreaking.
If that works in the Star Wars universe, in A New Hope, why didn’t the Rebellion just get large asteroids and attach hyperspace engines to them and aim them at the Death Star. Asteroids traveling at hyperspace speeds, especially hundreds of them would be unstoppable and not a single Rebel life would have been in danger.
Poe got turned into an insubordinate, hotheaded moron.
This made no sense to me. Poe, in the Last Jedi, acts completely different that Poe in the prior movie where he was calm, collected and rational. If they wanted a character to be hotheaded, introduce a new character.
Forget the rebels, why build the death star(s) in the first place?
It’s easier, faster, and waaaaay more effective to just send a few dozen small ships throughout the galaxy with an extra hyperdrive or two to be ready to blow up any planet with some space junk. Any time. Any place. No centralized base for the rebels to stop.
Agreed on both points. Poe was done dirty, the Holdo Maneuver is OP af, and the entire movie was designed to show off and put the director’s personal stamp on the franchise more than it was attempting to respect the lore and its audience.
Not to be that guy but I’m still complaining about the silent space scene. The Last Jedi was the 10th movie in the franchise (12th if you count the animated movies and 13th if you count the made for tv Ewok movie) and it was the first time there was no roar of engines, no sounds of weapons fire, the sound effect of jumping to hyperspace didn’t even play. Star Wars isn’t 2001. It’s not set in our universe. In the Star Wars universe sound waves travel through space.
Be that guy! Part of being part of a storied franchise is staying in your lane. TLJ deliberately went out of its way to set itself apart, which is NOT how you’re supposed to do it.
The trilogy would’ve been much better if either director had done all 3. Either J.J. Abrams with a fun nostalgic return to form, or Rian Johnson with a fresh new take. The whiplash from them fighting with each other over the direction of the plot just ended up being a huge mess. I’m pretty surprised they weren’t just told what the plot was going to be, kind of seems like a screwup by whoever handled that.
If I had the chance to make edits to the script, I’d have done the following:
- Replace the animals in the racing with podracers
- Have the hacker guy drop the dreadnought’s shields for a moment to permit the Holdo manoeuvre
The podracer stuff is basically just fanservice, but it’s very minor and not adding any more distractions than were already there, so I think that’s fine
The hacker does have a motivation to ensure the empire doesn’t get a clean win. He profits from the war. He wants both sides to struggle. Doing this just as he leaves gives him an actual role beyond betraying Finn and Rose, makes sense for his motivations, and also explains why hyperspeed ramming doesn’t usually work in Star Wars
These are good changes. Also I would suggest that they should have switched it to the Leia maneuver instead of Holdo, have her use the force to put Holdo to sleep or something to save her life. If I remember correctly Carrie Fisher had passed away while it was still in post production?
Ahh, I forgot about that. I think they should have just committed to having Kylo Ren kill her. He pulled the trigger, after all, the intent was there.
I liked Holdo as a character. I believe she was meant to come across as overbearing and arrogant because part of her role was to teach Poe that his recklessness was doing as much harm as good. He had to learn to work with other people, and Holdo was the one to show him that. She had to be (initially) unlikeable so that Poe would chafe against her command
The scene where Al Pacino gets slapped by a big black guy wearing only a cowboy hat and a jockstrap in Cruising (1980)
In The Matrix, humans were used as batteries. The energy requirements needed by a body to sustain itself outweigh feeding it to extract energy. It would’ve been more efficient to burn the food directly instead of feeding it to people.
In the original script, they were used for processing power, but the C-suites made them change it because they feared spectators wouldn’t understand.
Kinda like The Attic in Dollhouse
That’s really interesting but I think that suffers from a similar issue because I’d assume the processing power needed to run the matrix alone would be much greater than 1:1 per human.
That’s why it’s called sifi… Is based loosely on the myth that humans only use 10% of their brains.
Sience, bitches!
Originally it was humans being used for their brains as processing units, but they thought thatd be too confusing for audiences so they went with batteries.
In episode 17, when Commander Taggart is about to escape the neutron field in the omega-13, he used the auxiliary of deck B… But in the next episode, the schematic shows that deck has been totally vaporized. I was just wondering, do you think that’s a continuity error, or do you think there’s a justifiable reason for it?
You are our last hope.
This feels like a murderbot reference, but I haven’t read them all
Never give up, never surrender
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The whole last season of GOT.
Just rewarched on a TV in a background and it’s so bad. I thought maybe given some time it would clear up a bit as GOT hype died down but it’s just awful, can’t believe the actors managed to keep a straight face.
It’s incomprehensibly bad. The later seasons ahead of the books all had their problems, but the last one is just…
It’s completely lost on me how something like that can happen to such a big production. GoT was the hottest pop culture shit for years but after season eight, we just collectively stopped talking about it.
You can just watch the Pitch Meeting next time. Shorter and internally consistent.
In Prometheus at the start… right until the very end.
I will never stop calling any scene where an object is moving towards people and they run directly away from it while it’s gaining on them as “the Prometheus school of running away.” This was only slightly less stupid than trying to outrun a train…on the tracks.
“Hey, alien planet we’ve never been on before. Let’s take our helmets off.”
“Hey our map guy got LOST inside an underground tunnel and tried to pet an alien snake and now he’s infected.”
“This medical machine is configured for men. Caesarian mode is on the left.”
I call the movie Fuckwits In Space for these and many more reasons.
Expecting humans in a sci-fi monster movie not to be cocky before their sudden yet inevitable demise is kind of cheating.
I don’t understand the last point.
PS I really really like Prometheus, so I’m biased
I liked it’s world-building and greater lore implications for the Aliens universe, but I can still admit it has flaws and pacing issues
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Ant-Man
spoiler
The first Ant Man had this rule where any objects that are shrunk will stay as the weight they originally were. Yet Hank Pym carries around a shrunken tank on a keychain! Scandalous!
I think one of the theories is that Hank doesn’t actually know how Pym particles work and it’s basically magic. Because if you watch it keeping weight in mind none of it makes sense.
One can surmise it’s actually a life-sized model kit tank made out of cheap plastic, akin to how it works in Ground Defense Force! Mao-Chan.
Wrll there is also a scene in one of the movies where a plastic thomas the tank engine toy gets huge and crushes a police car. The toy that should jot weigh more than 200g crushes a car …
But it drove through a concrete wall!
It’s a really well made toy tank?
Or a very badly made wall…
Tofu dreg construction, perhaps.
Did they explain why in endgame a pym particles vial is only used once per person? While in other ant-man movies a vial of pym particles can be used multiple times.
Yes, they didn’t have enough left because Hank Pym was dusted.
Remember when Scott was about to test the time machine? They have 2 vials to use. He accidentally shrunk himself and he said they only have 1 left for the test. The 2 vials are full before they used it. He used a full vial of pym particles just to shrink down.
Because they have to shrink down to the quantum realm and come back. It uses more. It’s also never made clear how many particles are in the vials or if they’re full or how many a normal shrinking takes. But it is established multiple times that they have a limited supply and only enough to the job. Also, it’s a comic book movie.
didn’t he “refine/improve” the process or something?
Comic book movies are cheating at this game.
Lost. All of it.
Abed:
It’s the first season of Lost on DVD.Pierce:
That’s the meaning of Christmas?Abed:
No. It’s a metaphor. It represents lack of pay-off.[…]
Abed:
I get it. The meaning of Christmas is the idea that Christmas has meaning. And it can be whatever we want. For me, it used to mean being with my mom. Now it means being with you guys. Thanks, Lost.Frustrated they never showed the polar bears backstory including his work as a scientist with a gambling problem and a fractured relationship with his son.
Walt?
Pawse…Breaking Bear?
kingsman movie, first one. he did some parkour in the beginning to get away front bullies, then never again.
lessons in chemistry. crazy contraption to feed the dog, then never again anything like it.
Those scenes are just there to establish that he’s capable, intelligent and talented in the ways the agency needs, so it’s plausible they would recruit him. Never-mind that they also establish the way he looks at the world and approaches problems which is then forgotten immediately.
The twist ending of Now You See Me. Just stupid.
have you seen the sequel? barf
Nope. Nothing about the original made me want to see more of it.
The Office, Season 6, episode 20, “The Leads”. All the characters in this episode always seemed to me like they had a different personality for just this one episode. It really stands out IMO.
